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Tee Grizzley is one of those rappers who I see and hear about but never take the time to listen to. Like that feeling when you’re drunk and in your feelings, and the room is starting to spin on you.Ĭonsidering the way her sound has gone, I’m not surprised by the fact that Trippie Red is on this album.
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This is definitely a song you should play in your headphones, because the instrumental shifts from the right to the left ear a good amount, and you’ll miss things when you play it out loud. It’s not a love song, just a song about wanting to have someone with you, which is a relatable feeling for a lot of people. “Don’t Worry Bout It” is definitely a steal your girl song, all about the types of feelings you experience when you’re high and don’t want to be alone. If you like Def Loaf’s style, you’d enjoy this album, though I would say her sound is a bit more enjoyable. Honestly, I lean more towards describing her music as R&B than I would rap, but it’s all hip-hop so she doesn’t lose anything for that. It also sounds a lot less forced for power, though you can still hear that old sound in her adlibs at times. There’s a lot more space for R&B-esque harmonies and tone shifting, that adds variety to her sound, and fills out her voice in a lot of places. These days, she does more sing-rapping than straight-out, rhythmic spitting, which definitely suits the beat choices she makes now. But that was 2 years ago, and it would be disappointing if in that time span she hadn’t grown as an artist. It was addictive, even though all the best parts of you would advise you not to like it. Still, I couldn’t stop listening to the song. Her lyrics were somehow both basic and all over the place at the same time. Her voice was impossibly high-pitched and annoying. My first experience with Kodie Shane was ‘Drip On My Walk”. Her sound has matured and rounded out a lot, so she deserves some attention. Kodie Shane has dropped Young Heatthrob! The cover art is amazing honestly, her whole aesthetic is amazing. In my experience, his song “Ciabatta” is maybe the closest to his regular rap/singing voice as we’re going to get. His music is perfet for pre-gaming, partying, or just playing in the car.Well, I can’t honestly say there are times when I would’nt listen to Smino. And if anything, Smino is a master when it comes to using epistrophe. Smino’s voice changes all over the place, but never sounds wrong.
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I don’t even know how to describe the instrumental I’m not sure what instrument Monte has leading the beat, I just know it fits Smino’s voice perfectly, has bass in the right places, and falls out at just the right moments. KLINK is the single single, and has to be my favorite song on the album. The album is sprinkled with a few features because he obviously can’t leave out his Zero Fatigue mates: Bari, Monte Booker (producer extraordinaire to have to deal with this out-of-pocket artists), Jay2, and Ravyn Lenae. That, is his ability to incorporate humor throughout the sexual overtones of his music, which keeps him from being like some other one-dimensional R&B singers that shall not be named. Smino’s life and music are all about being as Black as possible, which is part of his appeal. His voice will hit your ear wrong, no matter how many times you listen to him, but that has to be by design, because once you’ve heard his music, you’ll want more. A lesser artist would have this voice and be completely unbearable, but Smino manages to incorporate style and flavor into his sound (and great taste in samples and instrumentals, because his songs could easily be a cacophonous train wreck). I know I’ve likened GoldLink to a saxophone before, but if GoldLink is a tenor sax, Smino raps like an alto sax with a split reed. Not to say it isn’t also a cover to cover masterpiece, but you definitely get to see more of who Smino is through these songs. blk swn was and is a cover to cover masterpiece which introduced the world at-large to Smino’s avant-garde rap stylings, but NOIR is a deeper dive into the artist’s personality. I’ve heard far too many people many people say it’s not as good as blk swn but that’s an unfair comparison. Smino “Best Hair In The Game” “Too Grown To Teach You How To Ride” Smith (I didn’t make that last name up, where do you think Smino comes from) has dropped his new album NOIR.